In February, the author Gary Schmidt was interviewed by Michele Norris on NPR about his novel entitled OK for Now. Schmidt said this about the book's protagonist: "He brings all of his beat-upedness with him." "Beat-upedness"?  Continue reading...

Recently on the Copyediting-L discussion board, member Levi Bookin presented this conundrum: one of his authors avoids the phrase such as to such an extreme that he seems allergic to it. Possibly, Bookin wrote, this is because he dislikes commas so much.  Continue reading...

In my latest column for the Boston Globe, I take a look at the rapid rise of the slogan "Boston Strong" in the month since the Marathon bombing. It seemed to come out of nowhere, but it's only the latest in a long line of "strong" slogans.  Continue reading...

The artists were being praised for their technique in which, the article said, they "use only pallet knives, not brushes." The conference attendees were told that "it's not too early to start whetting your palette for" the food expected to be served. And the article talked about a shipment of "wooden palates infested with the Asian long-horned beetle." Possibly wrong, wrong, and ouch.  Continue reading...

This week, we are emphasizing alliteration and assonance in some of our favorite lines from Macbeth. Click here for the worksheet and here to read the related lesson plan, "'Fair is Foul, and Foul is Fair': Sound Devices in Shakespeare's Macbeth."

There are two books here. I love one of them, but I don't care for the other. Somehow, they're both Yes, I Could Care Less: How to Be a Language Snob Without Being a Jerk by Washington Post copy editor Bill Walsh.  Continue reading...