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Vocab Lab: "Said Words," She Ventured
The word said has an elegant, indispensable simplicity. It's a mainstay of the journalist's art: "Five out of five editors find the noun form of the word 'overwhelm,' currently in vogue among the nation's life coaches, completely unacceptable," said Dr. Carla Ridge, founder of SSOUON (the Society to Stamp Out the Use of Overwhelm as a Noun). And in that context, exclusive use of "said" is appropriate and welcome.
DIGRESSION: There is no room in any sort of nonfiction writing for the construction "they said." (I am pained to admit that I have twice been hornswoggled into writing quotes for rock bands whose members felt they must speak as one. The results were tragic on both occasions.) Unless you're talking about those twins in "The Shining" — "Come play with us, Danny" — there is virtually no instance in which "they said" makes sense.
Repetition of "he said" can get pretty dull, however, when you're telling a story, which can be disastrous when you're using that story as a means of promoting an artist or selling a product or service. So when "said" starts sounding tired, I refer to my trusty list of "said words."
It's actually called "Appendix 6: Writer's Helper," though I'm sorry to say I don't know its origin. When I started working in publishing, a colleague bestowed upon me those four typewritten pages of vocab gold.
The beauty of the said words is that each confers a unique variation of editorial intent; they all mean "said," but each provides a singular nuance. Sometimes a said substitute is subtle, preferring not to call attention to itself: "he stated," "he added," "he continued," "he affirmed," "he allowed," "he asserted," "he contended," "he maintained," "he observed," "he remarked," "he commented," "he noted," "he determined," "he related," "he recalled," "he remembered," "he recollected," "he recounted."
Sometimes a said stand-in packs a wallop, driving a point home like John Henry raging against the machine: "he proclaimed," "he declared," "he expounded," "he exclaimed," "he pronounced." Sometimes it reinforces the mood of the quote for which it provides attribution: "he scoffed," "he confessed," "he insisted," "he complained," "he criticized," "he revealed," "he lamented," "he confided."
Some are utilitarian: "he explained," "he clarified," "he pointed out," "he indicated," "he confirmed," "he reiterated," "he concurred," "he emphasized," "he concluded," "he informed," "he reported," "he speculated," "he theorized," "he elaborated." And some are writerly: "he hazarded," "he enthused," "he quipped," "he mused," "he volunteered," "he averred," "he surmised," "he elucidated," "he opined," "he postulated," "he posited," "he illuminated," "he echoed," "he rhapsodized."
Alas, in my world — the nonfiction world — I cannot indulge in "he snorted," "he hissed," "he spat," "he whispered," "he screamed," "he wheezed," "he cried," "he whined," "he uttered," "he stammered" and their ilk. Nor, sadly, can I abuse said words for poetic effect, as Ring Lardner (pictured) did so brilliantly when he wrote "Shut up, he explained" in his 1920 book The Young Immigrants, or as Lynda Obst did so dryly in the title of her 1997 Hollywood memoir, Hello, He Lied. (Something you should not indulge in: "he laughed." This nonsensical cliché is almost as stilted as "they said.")
Fortunately, you don't have to be a literary lion to have your way with said words. If you season judiciously with them, your writing will be much tastier — and thus more effective — than the old "he said/she said."
For more said words, click here.
(What are your favorite said words? Leave a comment below!)


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Comments from our users:
On the basis of 'show not tell', one solution that writers increasingly employ is to identify who is speaking by an 'action tag', not a 'speech tag'.
Thus:
'Do you have any chilled beer?' Roger inquired.
becomes:
Roger opened the fridge door and peered inside. 'Any chilled beer?'
The mood of the speaker can be conveyed in the action or in the words of the speech. If he's angry or impatient, Roger can open the fridge and sweep aside the neat piles of yogurts, and/or he can say 'Don't you have any chilled beers in this stupid fridge?'
And so the identity of the speakers and their mood can be conveyed within the body of the story, within the actions and speeches, whereas speech tags remove the reader, if only for a moment, out of the story to listen to the narrator identify objectively the speakers and their moods.
Having said that, endless action tags can get as tiresome as a page of speech tags, so the best solution of all is a judicious mix of speech tags and action tags.
Geoff A (UK)
"Having said that, endless action tags can get as tiresome as a page of speech tags, so the best solution of all is a judicious mix of speech tags and action tags."
I totally agree with his examples. My only cavil is the use of "having said that"; perhaps this is merely a personal annoyance, but it such an overused phrase. One already knows what has been said. Redundant. Sorry, Geoff. (Loved your exposition, though).
Beryl, one suggestion is to write it as a play, then you can do this:
JACK: I love you, Mrs Allenby.
MRS ALLENBY (SMIRKING): I know. I've always known.
etc.
Another suggestion. Have you ever gone through a chapter or two of a book written by a writer you admire, and marked down the action and speech tags he or she uses? I did it once with a popular children's author (Madeleine Somebody?) and it was very helpful.
A third suggestion (the first wasn't 100% serious) is to write it anyhow and then get yourself an editor. In the unedited draft of my novel there were 900 'saids'. By the time my editor had finished with me, I'd pared them down to 300, an average of just over one 'said' per page, which is bearable. She would suggest where she thought an action tag begged to be used, that kind of thing.
Geoff A