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We've been talking to University of Indiana professor Michael Adams about his new book, Slang: The People's Poetry. Last week, in part one of our interview, he explained how slang balances the social ("fitting in") with the aesthetic ("standing out"). Now in part two, Adams considers what happens when slang gets enshrined in dictionaries, and how we're only now appreciating the endless variety of slang forms.
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In his new book, Slang: The People's Poetry, Indiana University English professor Michael Adams tackles the tough question: what is the nature of slang? Adams, also the author of Slayer Slang: A Buffy the Vampire Slayer Lexicon, looks beyond dictionary definitions of slang to examine the fascinating interplay of social and aesthetic qualities in "the poetry of everyday speech." In this first of a two-part interview, Adams explains how the linguistic practice of slang balances the social and the aesthetic, and considers what directions slang might take in the future.
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Mayor Richard M. Daley, Jr., has proclaimed today, William Shakespeare's 445th birthday, Talk Like Shakespeare Day. (Or should that read, "Mayor Richard II hath proclaimed"?) But as University of Illinois linguist Dennis Baron points out, we don't actually know how Shakespeare talked.
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While most of us view April 15th as the day the tax man cometh (and our income goeth), it marked a more auspicious occasion in 1755. That was the day Samuel Johnson published his massive two-volume, 42,773-word dictionary of the English language. Mim Harrison, founding editor of Levenger Press, takes a look back.
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On the 133rd birthday of the telephone, Dennis Baron ponders how Alexander Graham Bell's invention forever changed the way we communicate — and brought the word "hello" into common usage. Baron is professor of English and linguistics at the University of Illinois and writes regularly on linguistic issues at The Web of Language.
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