Language Lounge

A Monthly Column for Word Lovers

The Poet and the Dictionary

"Reading the dictionary" is usually regarded as a geeky, if not nerdy thing to do: when the activity is even mentioned, there is often a subtext that it is something meted out as a punishment, or is something resorted to by people who are bored, who don't really have a life, or who don't know what to do with the one they've got. Despite the popular view, we are all card-carrying dictionary readers in the Lounge and we find the activity both edifying and soothing.

Not long ago we had an email from our friend and colleague Cynthia Hallen of Brigham Young University, about her online Emily Dickinson Lexicon (EDL). This news sent a shiver of excitement through the Lounge, because we knew that Emily Dickinson, too, was an avid dictionary reader: she owned and frequently consulted Noah Webster's 1844 American Dictionary of the English Language -- the last dictionary that Noah Webster himself worked on. Dickinson's niece, Martha Dickinson Bianchi, reported that her aunt Emily read the dictionary "as a priest his breviary." We took some time recently to explore the EDL and try to get a sense of what role the dictionary played in Dickinson's poetry.

The Emily Dickinson Lexicon is a model of a perfect marriage between modern electronic technology and good old-fashioned poetry. Every poet's work could be beneficially studied, and made more interesting and accessible, by the searching and concordancing facilities that a project like the EDL offers: it gives us the ability to see at a glance the many contexts in which a particular word is used in a body of poetry, as well as a look at the definitions and illustrative examples of the words that were very likely consulted by the poet in the course of her work, and that had an influence on her composition. This is a particularly suitable system for studying Dickinson's poems, since she is known to have drawn a great deal from the dictionary.

Dickinson's studied use of the dictionary is even more compelling and intriguing when we consider of the particulars of her life. Dickinson died before she was 56, but left a body of work totaling almost 1800 poems, composed from the time she was a teenager until the year of her death. She did not seek renown during her lifetime, publishing little and sharing only a small number of her poems with family and friends; the majority of her work was not discovered until after her death. In the last years of her life, Dickinson lived in near isolation. She never married or had children; she rarely ventured beyond the yard of her house (the house she was also born in), and she had contact with very few people outside a familiar circle. This would hardly be guessed by anyone reading her poetry, which expresses a multidimensional life of great depth and breadth.

The picture that emerges is one of sharp contrast: a woman who, on the one hand, embraced the eccentricities of her vocation, which seemed to require her withdrawal from most of society and to demand nearly continuous intensive introspection. On the other hand, she devoted hours of study to a book - namely, the dictionary - that is the meeting place of all language users, a storehouse for the consensus of meanings of words.

Despite her shunning of publicity during her life, and her disinclination to participate in any way in the public intellectual life of her time, it's hard not to think that her basic motive was communication: concise, succinct, distilled communication using words. She counted the dictionary among the foremost tools of her trade and learned to use it expertly. Today, more than 120 years after her death, her communications are as fresh and jarring as when she wrote them. Her method of old-fashioned dictionary study is an inspiration to anyone today whose task is to create an enduring message using only words.

We have chosen three of Dickinson's short poems (and most of her poems are short) that we have found illuminating on subjects that we ponder. By using the Visual Thesaurus and the EDL, the poems provide the opportunity (as any of her poems do) of exploring the ways in which words and their definitions connect to each other throughout the vast body of her poetry. We have provided links to entries for some words; we recommend the study of these same words in the EDL (link provided below), where you can see the various meanings that Emily Dickinson employed (perhaps "deployed" is a better term) and the contexts in which she used them, as well as some of the dictionary definitions that influenced her.

  1. Each that we lose takes part of us;
    A crescent still abides,
    Which like the moon, some turbid night,
    Is summoned by the tides.
  2. The going from a world we know To one a wonder still
    Is like the child's adversity
    Whose vista is a hill,
    Behind the hill is sorcery
    And everything unknown,
    But will the secret compensate
    For climbing it alone?
  3. The Future never spoke,
    Nor will he, like the Dumb,
    Reveal by sign or syllable
    Of his profound To-come.
    But when the news be ripe,
    Presents it in the Act-
    Forestalling preparation
    Escape or substitute.
    Indifferent to him
    The Dower as the Doom,
    His office but to execute
    Fate's Telegram to him.

Many versions of Dickinson's poems are now regarded as public domain and these are the ones we have used above. They differ very slightly in some cases - for these three, not significantly -- from the versions of her poems now regarded as definitive, which are still copyrighted (see link below).

The Emily Dickinson Lexicon is online at http://edl.byu.edu/index.php

To get the full benefit of the site -- access to poetry concordances and advanced search features -- you need to register, but this is free and only takes a moment.

There are a number of starting places for reading Dickinson's poems online:
http://www.bartleby.com/113/
http://www.mith2.umd.edu/WomensStudies/ReadingRoom/Poetry/Dickinson/
http://www.online-literature.com/dickinson/

The versions of Dickinson's poems now regarded as most definitive were compiled in 1999 and published in various editions, of which the most practical and affordable is The Poems of Emily Dickinson: Reading Edition.


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Orin Hargraves is an independent lexicographer and contributor to numerous dictionaries published in the US, the UK, and Europe. He is also the author of Mighty Fine Words and Smashing Expressions (Oxford), the definitive guide to British and American differences, and Slang Rules! (Merriam-Webster), a practical guide for English learners. In addition to writing the Language Lounge column, Orin also writes for the Macmillan Dictionary Blog. Click here to visit his website. Click here to read more articles by Orin Hargraves.

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Comments from our users:

Friday February 1st 2008, 6:54 AM
Comment by: Linda H.
What a delightful article and just a breathe of fresh air in the first of the day e-mails! Thank you so much - greatly appreciate this standard of quality.
Friday February 1st 2008, 7:05 AM
Comment by: Michele W.
You mean I am not the only one who reads the dictionary for pleasure?
Friday February 1st 2008, 8:05 AM
Comment by: Sultan of Cognac (Avenches Switzerland)
Oddly enough, I reach for my Oxford, my spelling dictionary and my French/English dictionary more than the other books within my walls. I spend my life reading, writing and reviewing but truly find more solace in a dictionary than most any other type of book.

Thank you for the revelation - I feel I can come out of the closet now (about dictionaries - thank you very much!)

;-)
Friday February 1st 2008, 8:22 AM
Comment by: C S.
When I teach poetry to my AP English classes, I try to impress on the students the necessity of understanding the time in which a writer lived and the words available to the writer at that time. We discuss how words evolve and nuances of meaning past and present. I'm anxious to share this article with them and my collegues. Thank you.
Friday February 1st 2008, 9:34 AM
Comment by: Alice M.
It's a joy to wake each morning to find my "word of the day" delivered to my inbox overnight. Now I have this article that breaths new life at the end of my week.... and at the start of a new month. What a great time to resolve to delve into the dictionary once again. In an age in which I can find the spelling of most words without leaving my software program, there's nothing like the print dictionary to provide meaning.
Friday February 1st 2008, 10:35 AM
Comment by: Robert B.
I appreciate your electronic thesaurus, and I enjoyed the article about Emily Dickinson's poetry and her interest in reading the dictionary. Personally, it helped me to enjoy the dictionary when I discovered that it was arranged alphabetically. :-) That's probably an old joke to you lexicologists. :(
Friday February 1st 2008, 12:23 PM
Comment by: Susan S.
This was a lovely article. Not only do I love a good dictionary, I used to have my children read the encyclopedia to me at night, ostensibly to "help me sleep," letting them select the volume and page at random, and then find entertaining bits to share. I had to pretend to be growing sleepier and sleepier as they read, but in fact found my mind thoroughly engaged and energized by all that delicious information.

My married daughter has begun doing that with her daughter now, to my astonishment and delight. In an age informed by the weird shorthand of a text message, it is nice to think a child can still learn to spell the old fashioned way.
Friday February 1st 2008, 1:00 PM
Comment by: Judith S.
Such a pleasure to be gifted with a charming essay first thing in the morning!
Nice change from uncooked e-mails and intrusive political polemics.
Friday February 1st 2008, 1:46 PM
Comment by: Hamad A.
quite a nice article. dictionaries are interesting repositories of history for those that care to peruse the etymologies of so many words. i find the unabridged versions to be very useful for tracing history however controversial some may be.

thanks and keep up the good work.
Friday February 1st 2008, 2:36 PM
Comment by: William S.
Nice to breathe a breath of fresh air. Your articles are always such; thank you!
Friday February 1st 2008, 2:43 PM
Comment by: charles G.
thank you for reminding us,

I don't know how I ever got along without the
oxford, use every day in my poetry
Friday February 1st 2008, 8:29 PM
Comment by: Susan C.
Dickinson's poems are divine, particularly the first one you quote here. So encouraging to hear that others read dictionaries for fun and edification. I'll bet others are like me -- you collect them like cookbooks and have many editions. As a Canadian-American of Scots orgin, I can't live without Nelson's Canadian Dictionary and the Concise Scots Dictionary, along with many foreign language dictionaries. We are truly spoiled with the bounty of words and their collections.
Friday February 1st 2008, 8:40 PM
Comment by: Lawrence P.
Am sending a link of this article to my daughter who used to read the dictionary as an adolescent. I don't believe she writes any poetry, but with her excellent vocabulary, she could. Myself, having developed a need to write 15 months ago, have recently decided it's not cheating to use a thesaurus. Am so glad I ran across your site. My poetry is getting "pretty darn good", I'm told. Thank you.
Friday February 1st 2008, 9:28 PM
Comment by: Andrea R.
And now, dear friends of the VT world I give you...
The coolest home page:
www.thefreedictionary.com
And another fabulous thing to do in one's spare time...
www.freerice.com
I hope you love them too.
Andrea
Saturday February 2nd 2008, 8:12 AM
Comment by: Hir B.
Inspiring one. Thanks.
Saturday February 2nd 2008, 12:20 PM
Comment by: William W.
I have 72 dictionaries (at last count) and love them all—general, scientific, technical, language, medical, etc. When I look up the definition of a word, I always look it up in several dictionaries to get the full sense of the word. And an English dictionary without etymologies is worthless to me.

Loved the article.
Thursday February 7th 2008, 8:11 PM
Comment by: Rosalind K.
Thank you, thank you, thank you. I am so consoled to know that there are kindred souls out there who share my passion for words. For years I was thought eccentric because I kept a very large dictionary, which I consulted regularly, on a stand in my dining room. On one of the shelves below, I kept my "New Words" file card box. One of my treasured possesions.
Saturday February 9th 2008, 4:18 PM
Comment by: Anonymous
Thank you soooo much for this enternet sight. I think this program is very usefull.........
Monday February 11th 2008, 2:33 PM
Comment by: Melinda T.
I wrote a few pieces, of poems:) i wrote one that very short, and brief to the point and it seem to have worked for me :) sometimes it workes that way s, i am new here so, that 's that, :)
Wednesday February 20th 2008, 11:13 AM
Comment by: Beryl S. (Schroeder, MN)
I read this article with delight. I've so often felt that poets make the best prose writers as well ... the form requires such a honed use of words to distill the essence of an experience or thought or emotion. I am grateful also for the links to the edl. I'm still trying to navigate my way through the VT and the many secrets tucked within its structure. Thank you!
Saturday February 23rd 2008, 4:03 PM
Comment by: H. J. S.
Thank you for the web site.

jas

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