
Last week we heard from Erin Brenner about the so-called "serial comma" or "Oxford comma." For a counterpoint, here is a spirited defense of the Oxford comma by Megan Zinn, an associate of our good friends at Editorial Emergency.
In the song "Oxford Comma," Vampire Weekend asks the musical question, "Who gives a **** about an Oxford comma?" to which most of their fans pay no attention. At best, they wonder what an Oxford comma is. Maybe Google it. As a grammar geek, I actually have an opinion.
I'm an unapologetic fan of the Oxford comma (a.k.a. "the Harvard comma," a.k.a. "the serial comma"). This is the comma before the "and" in a list, so named because the Oxford University Press first championed it. In one of my early professional writing jobs, the style guide stated, "We prefer the serial comma," and I took that to heart.
I favor the comma because it balances out a list, giving each item its own weight. I regularly stumble over sentences without an Oxford comma, mentally pairing the last two items separately, as if they were a set. "Charlie loves Legos, reading, soccer and tormenting his brother." Are "soccer" and "tormenting his brother" deliberately paired, separate from the rest of the pursuits listed? An additional comma prevents ambiguity. I do not like ambiguity.
However, I've never been radical about the Oxford comma. When I edit, I add it, but I don't give it much thought. It certainly never occurred to me that the Oxford comma could be a bone of contention. So I was amused to discover that Facebook hosts a group dedicated to it: "Students for the Preservation of the Oxford Comma." There are more than 3,700 members. As they write in their manifesto:
"The members of this group have dedicated their lives to the defense of the comma that separates the penultimate item in a list from the conjunction. Known as the Oxford comma after the university at which its use originated, this punctuation mark makes clear what might otherwise be an impenetrable fog of items in a series. However, some upstart group of riffraff calling itself the Associated Press has decided that the Oxford comma has become obsolete. They could not be more wrong."
It's always enjoyable to discover that a large group of people care about something I hold dear (though I was a little alarmed that they had so much time on their hands). What was most remarkable were the emotions this little bit of punctuation evokes. The comments of the group members display rebelliousness and superiority, as well as relief at finding others who feel this way. The outpouring is striking:
"I must confess that I was giving way. Family, friends, and professors had nearly beaten the comma out of me. This group, however, has restored my vigor. I am not a freak. I am a revolutionary. Huzzah!"
"Oh. My. God. *shudders* Every time I copy edit an article and have to remove an Oxford comma, I die a little inside."
"I thought I was alone."
There's a sense among these writers that they're a dwindling minority fighting the good fight. The fact that the Oxford University style guide now counsels against using the Oxford comma only emboldens them. I, too, bristle at attempts to declare an element of grammar "obsolete," especially one that isn't particularly archaic or awkward. As surprising as it is that so many would fight for its existence, even more surprising is that so many editors are dead-set on killing it. As long as the punctuation is consistent, is pausing for an additional comma really such a chore?
[EDITOR'S NOTE: Conventional wisdom held that in a print setting, all those "extra" commas added up, claiming precious column inches. As ink is rapidly overtaken by pixels, this argument loses its cogency.]
But back to Vampire Weekend: Why the invective against the Oxford comma? As it turns out, it was actually the Facebook group that inspired lead singer Ezra Koenig. Sort of. The words "Oxford comma" stuck in his head and eventually made their way into the song, which is less about the Oxford comma than generally not giving a ****. But as with many song lyrics, it just sounded good.
The Facebook devotees of the Oxford comma have their editing hearts in the right place and as a fellow traveler, I can't help but be charmed by their crusade. There are crazier people out there. Facebook also has a group called "If You Can't Differentiate Between 'Your' and 'You're' You Deserve to Die." There are more than 140,000 members in that one.
Megan Zinn is a writer, editor, and recovering publicist. Combining her love of writing, her knack for marketing, and her background in academia, she has developed a niche in higher-education marketing. She also embraces any opportunity to write about history, writing, and the communities around her home in Northampton, Massachusetts.

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Comments from our users:
"John, the butcher's son is dead." Who is dead now?
"John, the butcher's son, is dead." John is dead now. What killed him?
What caused John to die? Why, that last comma!
See http://answers.google.com/answers/threadview/id/761667.html
and
http://www.urbandictionary.com/define.php?term=alot
There you'll discover that 'alot' is not a word. Now a lot of people use 'alot' to describe "a great extent or degree." I call this it a run-together idiom imagine if we did the same elsewhere like 'knockedup,' 'farout,' or even 'wassup.' My guess is that this is exactly how some words come into being. But I am no etymologist. Nor, I might add, am I a zoologist that studies insects--not that this bears any significance (except where my students are concerned).
There is another word, 'allot' which means to set something aside or to give a share of something. Military pay has long afforded recipients the option of alloting specified portions of their pay to designated recipients.
But allot really points up the issue with the Oxford comman. If I choose to "allot my royalty income evenly to my wife, son and daughter" should my wife get 50% and the children share the other 50% (presumably 25% each), or would all three get a third? Writing, "allot royalties evenly to my wife, son, and daughter" looks much more like they are to receive 33% each. There is no room for ambiguity in legal documents.
SAVE THE OXFORD COMMA!
Go, Oxford!!!
That's a great illustration of the problem. The Oxford comma is definitely required there.
Perhaps it's a case of using it where clarity requires it. If I'm writing a grocery list, I might not need it between the last two items: Get milk, bread, sugar, donuts and eggs.
I must admit, however, that the comman would make it look better!
Ah, Mrs. B, but you told us that was never a reason! Along with 'sounds better'.
And now...
Yes, former students, I am using both reasons, but selectively! LOL
Val
While I rarely use the Oxford comma, I’ll occasionally drop one into longer lists, or constructions that require extra clarity. I also take a live-and-let-live attitude toward it when I edit another writer's copy, though frankly I'm sometimes as jarred by its unnecessary presence as others are by its absence. When all’s said and done, the rigid insistence on deploying it every single time strikes me as both hyper-cautious and unwittingly comic—kind of like those guys who wear both a belt AND suspenders.
Thank you SO much! I was trained to use the Oxford comma, but when I became an administrative assistant, we were told NOT to use it. Whenever I did writing and editing I did in the office I would drop it, but in personal writing, I used it. Now I'll just leave it in, period (no pun intended)!
And the double space at sentence end...what year did it die? 1960's?
I'm with Lynn Truss re the apostrophe. It's great, and needed, but only used correctly.
When I suggested that those changes might be coming with 'don't', I was just thinking of how language evolves. I'm sure that 'lets' and 'dont' will become acceptable, not by us all, but in general usage. Language moves in the direction of the spoken, and if there isn't a good reason (clarity) for keeping some things as they are in writing, the thing that doesn't add to clarity will go -- in time.
We'll still be using it as the contracted word will be firmly stuck in our heads, but I'm sure that the change will happen.
That is logical, but my feeling is that the demise of the double space ended with the "flower children". Anybody else agree?
Sadly, I think of the days more than 30 years ago when I taught 'creative thinking'. (A group of students needed a place to park for a period or two a cycle.) We did many creative exercises, twisting brains in different directions. One of them was a sort of puzzle similar to what passes as the speech quoted above. It was rather special then, something done to see if you could create a different expression. Oh, did I cause this?
Those students, however, went happily on accomplishment, constructively so.
Now that it is called 'texting', how sad the situation is.
And how right the question raised by Marjorie about how much is due to laziness.
There was poetry to the music of my teen years. It wasn't classic, no. But it did say something to me. If there is something to be said in what passes for much of the songs I hear only smidgens of, I cannot discern it.
That does not mean I do not come across the occasional "U R gr8" paradigm, nor do I avoid the "there, their, they're" confusion. That, I believe comes from collecting one's vocabulary aurally and not through reading. So I insist my students read, read, read: still the single best way to learn how to write with precision, grace, and style.
By the way, what would it take for me to be able to teach college English in Canada? I mean in the sense of immigration and all that.
Citizenship is not a requirement, at least not to my knowledge. (It wasn't at the university level when he was active.)
I assume that the greatest task now would actually be finding a position. Times are tough here, too! But good luck, should you give us a try.
I taught junior high school for several years before citizenship became a requirement. On an exchange basis, of course, it would still be possible without at that level.
But provinces might vary...
Bear in mind that we are probably not any better at writing coherently than those you now teach, and you would have to adapt to some usage differences, eh? And spelling 'or' as 'our'. Simple, really.
Like you, I like Peter's recommendation - read, read, read - very much. Your stressing the importance of the correctness of what you read is valuable, too; my only reservation is this: while reading, I sometimes stumble upon experimental texts purposely doing funny things with the language. This is actually not for the worst - it is often quite enjoyable, and also provides me with a different perspective and makes me think - and choose. Not worst indeed.
As to the Oxford comma, it is a preference of mine for personal reasons. For me, it is just sooo English: of the 6 languages I have had a shot at learning, English is actually the only one that has it. I simply feel so proficient when I use it. Please, do not take this away from me.
And, as to the texting lingo, I do see quite some charm in it. The text-length limitations and the clumsiness of the input method do call for a measure of creativity. How else would a young boy I have heard of be able to send about 150 texts a day - not even bothering to take the phone out of his pocket? And that was in the 90s, long before the advent of intelligent dictionaries.
So, maybe, I am not a dinosaur through and through, after all.
Oh, and just a final remark: there might be a radical way to enhance learning the Oxford comma throughout the education system: Victor Borge's system of vocalising the punctuation marks. Personally, I find it irresistible; maybe, it will appeal to pupils as well.
Good luck!
I wonder if it's available on the internet for download anywhere. Or is it still under some copyright protection?
My parents were big fans of his and took me to see him when he came to Bethlehem. At those concerts, he always did the punctuation routine. And then there was the record!
His talent shone in many ways, but that punctuation bit was extra special.
I have a very Yorkshire husband who is trying to write a book based upon childish exploits of the 60s wants to put the accent into his characters' voices and we are having great fun trying to work out how to do that without overdoing that...
Any thoughts?
I'm not sure how that would be affected by Yorkshire speech. I've read a series of books set in Cornwall and it was done as needed. Beautiful!
And to the commenter Noel "I call this it a run-together idiom imagine if we did the same elsewhere like", what? Now breathe. I missed something.
I, too, was very uncertain as to whether any Victor Borge material would be available on the Web, other than as references to items for sale. I expected it to be heavily copyrighted - but I was in for a surprise.
Using the search string "Victor Borge punctuation", I found a lot of very interesting links to sound and even video clips freely available. Narrowing "punctuation" to "phonetic punctuation", interestingly, returned about 4 times as many links.
One of the first results on the list was this:
http://www.youtube.com/watch?v=N7L02tCNi0I
It is a video of Victor Borge teaching Dean Martin his phonetic MUSICAL punctuation. It made me laugh uncontrollably and reduced the efficiency of my further research considerably.
There are lots more, in varying video quality (or is it my computer being too slow?); the ones on YouTube run rather smoothly and there are several more there than the search reveals. Some of the sites offer sound clips for download; with video, it is apparently not quite that simple, but I have recently stumbled upon a mention of a program that should make it possible.
There was another problem, and that brings me back to the comma thread:
While watching this one, which must be the original version (except for the fact that, obviously, it is not the oldest one: in some of the recordings, his hair is still dark!):
http://www.youtube.com/watch?v=lF4qii8S3gw,
I had a shattering experience: about 2 minutes 53 seconds into the routine, Victor Borge DOES NOT apply the Oxford comma. It may be due to it not being used in the text, but still. I guess this will have to be kept secret from future students, if any.
I apologise for my long delay, but, after having been unable to reply before Easter, I spent the whole Easter in no computer's land, just to wind up in no properly working computer's land on return home; that was even worse. In addition, the cursed thing swallowed my first reply to your question; I hope it choked on it. It is only today that I managed to make it work.
A final remark: I am lucky to live in Denmark, where Victor Borge is still regarded as a national hero, his memory still cherished, and his recordings available in most record shops. I still remember watching the celebration of his 90th birthday in The Royal Theatre, transmitted on national TV; a link to a recording of the event should be among the search results. And: guess who was performing...
He should be one of the UN Heritage 'sites', he is that great. I was watching him as a little kid.
I've a friend who will download those videos for me and send them to me on MS Messenger or Yahoo, the only way I can get videos well, being on dial-up.
Thank you for putting so much effort into that. I can find the videos, but cannot test them. I am very grateful!
Yes, he should be remembered.
As to the videos: it might be easier just to buy them wholesale. Have you tried Amazon.com? My search on "Victor Borge" returned almost 400 results - CDs, DVDs, video tapes, and even books and audio tapes (no doubt you have noticed my respectful use of the Oxford comma here :-) ).
To make the search simpler for you, here is the link to show the search results directly:
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Victor+Borge&x=0&y=0
If you live in Great Britain, amazon.co.uk would, of course, be more practical (and cheaper).
When on Amazon, I usually look at the customers' comments, trying to measure their expectations and idiosyncrasies against mine. It works well most of the time, but also takes time, especially on a slower connection.
Now I see it as more additional clutter in writing, along with percent spelled out. Just as words go from two words to a hyphenated phrase to a closed-up compound as usage increases, so should we drop the serial (Oxford) comma unless clarity absolutely demands it. As Peter T says, no need to wear both belt *and* suspenders (braces to those Oxfordians).