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A new book by Allan Metcalf, Professor of English at MacMurray College and Executive Secretary of the American Dialect Society, is all about the history of a single word: OK. You can read a Q&A with Metcalf about OK: The Improbable Story of America’s Greatest Word on the Oxford University Press blog here.
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We are pleased to present another excerpt from the new anthology entitled, One Word: Contemporary Writers on the Words They Love or Loathe, published by Sarabande Books. The editor, Molly McQuade, asked 66 writers the question, "What one word means the most to you, and why?" Among the essays McQuade has collected is "Verb," by Lia Purpura.
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Sarabande Books is publishing a fascinating new anthology entitled, One Word: Contemporary Writers on the Words They Love or Loathe. The editor, Molly McQuade, asked 66 writers the question, "What one word means the most to you, and why?" Among the essays McQuade has collected is "Sixpack," an exploration of six words by the experimental writer Thylias Moss. Tucker Capps has drawn from Moss's musings on the word fork to create a captivating short film.
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The title story of my collection, What the World Will Look Like When All the Water Leaves Us, began with me falling in love with a word: Madagascar. I fell head-over-heels for the cadence, for the way it evoked a Jacques Cousteau-esque sense of adventure and mystery.
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I used to play at being a writer.
Afternoons in Boston, in my early 20s, I'd pour three fingers of Black Bush whiskey, feed a page into my typewriter, and surround my desk with books by whoever I was reading then — Bill Knott, Marguerite Duras — and add to that bibles and newspapers. I'd open to random pages and write down whatever caught my eye, whatever seemed anachronistic or poignant, then I'd make a hash out of it.
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