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While English teachers are notorious for teaching the plot curve and its inciting incident, rising action and climax, etc., and while this is a great way to analyze literature, one of my most interesting sets of lessons involves leaving the plot curve behind and replacing it with the three-act structure most screenwriters and novelists use today.
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Once upon a time, in a suburban St. Louis County high school almost thirty years ago, there studied a girl who couldn’t seem to write an essay to save her life. She watched the papers come back. AP European History—D-. AP English—C. But owing to smaller class sizes and tenacious teachers who bled all over her paper with red ink, this girl began to see her mistakes. She tightened. She tweaked. She revised. She edited.
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Recently I made a big gaffe in one of my columns. Despite the fact I read my columns over dozens of times, and then I have a peer edit, and then there's a Visual Thesaurus editor who reads and edits, I still misspelled the name of one of my favorite authors. (I also was chided for making up words, but as an author that's my creative prerogative and we can debate my taking that license another time.)
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Literature is everywhere. Well, literary allusions are everywhere, that is.
Students of today live in a time where they have always known cable television, computers and cell phones. Movies come in the mail or via the Wii. Yet that doesn’t mean the classics of literature have faded away. They are around — often referenced in new forms or adapted completely.
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