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Just in time for Sunday's season premiere of "Mad Men," my latest "On Language" column in The New York Times Magazine considers how authentically the show represents the speech of the 1960s. The creators of the AMC series, led by head honcho Matthew Weiner, are obsessive about getting the details of language right, just like all the other details of the show. But fans can be equally obsessive, on the lookout for the smallest linguistic anachronisms.
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The Los Angeles Times takes a fascinating look at how electronic reading has the potential to revolutionize the concept of the book. "Books are increasingly able to talk to readers, quiz them on their grasp of the material, play videos to illustrate a point or connect them with a community of fellow readers." Read the article here.
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One of the qualities of New York Times writing is that it not only informs clearly (almost all the time), concisely (almost all the time), and gracefully (almost all the time) — but that it delights. On almost every page, well-turned phrases, alliterations, similes and word play amuse and delight readers. My favorite Times verbal delight, though, is the headline that contains an allusion to a song.
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Chris Pash, who works for Dow Jones Asia-Pacific, has been using the Factiva news database to track the most overused journalistic expressions. He's come up with a list of the top seven cliches, from "at the end of the day" to "concerned residents." Read all about it here.
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