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Knitter, English teacher and Johnstown, Pennsylvania's self-appointed ambassador to Brooklyn, Shannon Reed is also an accomplished playwright whose plays have appeared in prestigious regional festivals. "Currently at work on a play about fairies, vicars and princesses," as she tells us, Shannon graciously laid down her quill for a moment to share these terrific thoughts on playwriting and related books:
Writing plays is a tricky business because you're writing text that will need to be brought to life. Thus, it's worth any beginning playwright's time to read the text of a play they have seen and enjoyed. You might start by watching the movie of The Crucible. The 1996 version has a powerful screenplay by Arthur Miller that skews remarkably closely to his searing playscript. Then read the play itself, an American classic.
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Sometimes you read a journalist's account of a place, person or situation that draws you in so deep you forget you're reading "news." They're more than just stories: The real-life scenes immerse you in a way that not only sticks, sometimes forever, but gives you meaning. To your humble editor, the absolute lion of this kind of journalism -- literary journalism -- was a legendary Polish reporter named Ryszard Kapuscinski, who sadly passed away last month. He was a hero, too, to a Canadian journalist named Deborah Campbell. Besides writing about the Middle East, Cuba and Russia and other places for leading publications, Deborah teaches literary journalism at the University of British Columbia. We had a fascinating conversation with her about this genre:
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