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All avid readers have their own favorite writers. Yours may be Daniel Defoe or Charles Dickens, Vladimir Nabokov or Ogden Nash, Agatha Christie or Anton Chekhov, F. Scott Fitzgerald or Ernest Hemingway, P. G. Wodehouse or A. A. Milne, Philip Roth or Stephen King; whom you love matters little. What does matter is that something in the style, the subject, or the subtleties of one or another writer so matches your own passions and quirks that you fall in love with that writer, and year after year you keep returning to enjoy his or her cordial company.
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A couple of years ago I wrote a Visual Thesaurus column about writing song lyrics, focusing on basics: finding a storyline and a mood that many people can relate to, telling the story with simple words and painting the mood with vivid images, plus, without being vague, leaving plenty of room for romantic mystery.
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Here's a perennially useful guide for choosing what book to read next: think of a title you've long known by name but never read, go straight to a library or bookstore, get it, and read it. Through decades that guide has steered me to Gibbon's The Decline and Fall of the Roman Empire, Boswell's Life of Johnson, Hugo's Les Miserables, all of Austen, Dickens, and Twain, and many, many more.
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Michael Lydon, who has written about popular music since the 1960s, is the author of Writing and Life, published by University Press of New England. He has also published a dozen other essays on literature through his own Franklin Street Press. Lydon teaches "The Music of Writing" at St. John's University and leads seminars for teenage writers through the Connecticut Young Writers program.
