In our first writing class every September, I tell my students to print in their notebooks, big capital letters, please, that to tell a story, a writer must:

GET A PERSON IN A PLACE

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Back when I was entertainment editor at a metropolitan daily, my phone used to ring several times an hour with calls from publicists. I anticipated these calls with about as much enthusiasm as a cat displays for a vet.  Continue reading...

Adjectives can be a writer's greatest friend, creating rich images and clear meaning. They can also be her worst enemy, convey conflicting ideas and tripping her up at every juncture. Today, we dip our toes into the pool of adjectives with a few general rules.  Continue reading...

Stan Carey, a professional editor from Ireland, writes:

We think of balance as a good thing, associating it with poise, equilibrium, evenness and harmony, as stability in unpredictable circumstances or as a healthy mix of disparate elements. It's a versatile metaphor. We try to balance our lives by living a balanced lifestyle, holding balanced views and following, on balance, a balanced diet. We balance work and play, overtime and downtime, business and pleasure. Mostly business: we balance our books, accounts, loans, budgets and balance sheets.  Continue reading...

Veteran Baltimore Sun copy editor John E. McIntyre writes:

When a new word pops into the language, or an old one acquires a new sense, there is a probationary period during which it either lodges itself in the language or fades away. As with electronic gadgets, the early adopters latch onto these words eagerly, the Luddites fiercely resist them, and the rest of us stand uncertainly in the middle.  Continue reading...

Erin Brenner of Right Touch Editing provides "bite-sized lessons to improve your writing" on her engaging blog The Writing Resource. We previously heard from Erin about basic uses of the apostrophe, and now she takes a deeper look at apostrophe usage. You, too, can become an apostrophe superhero!  Continue reading...

We writers about writing mostly write about "good" writing; we give our readers helpful hints on how to write well and point them to masters like Homer and Dickens to show them how it's done.

Good writing, however, does not form the bulk of writing. Like islands lost in the vast Pacific, writing's great works rise as rare peaks above endless oceans of bad writing, books and journals in which the writing is so poor or feeble or dull or trivial or trite or pompous or false or malicious or stupid that it lives for a day and dies away.  Continue reading...