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A new play is opening tonight on Broadway, and it's a treat for language lovers. It's called "Chinglish," and it was written by David Henry Hwang, who won a Tony Award for "M. Butterfly." I had a chance to talk to Hwang about his comic exploration of the perils of cross-linguistic misunderstanding.
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October 20 is the National Day on Writing, an annual celebration of all things writerly. You can take part in the festivities on Twitter by using the hashtag #whyIwrite. For more information see this post from Katherine Schulten of the New York Times Learning Network, one of the sponsors of this year's event.
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I'm embarrassed to admit that my handwriting is so bad and so physically uncomfortable for me that I no longer use a pen. Well, except for dire emergencies or for signing checks from the Bank of Mom (which some might call the same thing!) Instead, I use my Neo Alphasmart.
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Whenever we read fiction, a three-way bond springs to life between the writer, the reader, and the characters. Writer and reader are real human beings, the characters are imaginary, but to write a believable story, the writer must convince the readers that the characters are as human as he or she and we are, and draw us into a conversation in which facts of life may be compared and foibles confessed.
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