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A new exhibit at the British Library on the evolution of English will feature some linguistic play that presages the age of "text-speak." As reported by The Guardian, the exhibit will display a comic poem printed in 1867 with lines like "I wrote 2 U B 4" ("I wrote to you before"). I've investigated this proto-text-speak and have found similar versified examples going all the way back to 1828.
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Ever since I wrote an On Language column for the New York Times Magazine about the authenticity of the dialogue on the AMC series "Mad Men," my inbox has been full of questions about words and phrases that have appeared on the show. The most recent episode, set in early 1965, was particularly rich in expressions that set off people's linguistic radar. Here's a look at four questionable examples from the episode.
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The monumental Dictionary of American Regional English is finally nearing completion after 45 years. In Newsweek DARE editor Joan Houston Hall writes that despite reports of American English becoming homogeneous, "DARE's research shows that American English is as varied as ever." Read Hall's column here.
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A specter is haunting English — the specter of abused quotation marks. We notice this more and more in our reading and editing in the Lounge: the unthinking or misguided use of quotation marks where they are not required or serve no clear purpose seems to have become epidemic, perhaps nowhere more so than in the recently well-publicized open letter that the owner of the Cleveland Cavaliers posted on the team's website, in which he responded to star player Lebron James' move to another team.
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Robert Lane Greene, a journalist for The Economist who contributes to the magazine's excellent language blog Johnson, has contributed a fascinating column on the Macmillan Dictionary blog about American English. Greene uses his own personal linguistic biography to question the whole idea of a monolithic "American English." Read the column here.
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Just in time for Sunday's season premiere of "Mad Men," my latest "On Language" column in The New York Times Magazine considers how authentically the show represents the speech of the 1960s. The creators of the AMC series, led by head honcho Matthew Weiner, are obsessive about getting the details of language right, just like all the other details of the show. But fans can be equally obsessive, on the lookout for the smallest linguistic anachronisms.
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