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Whenever we read fiction, a three-way bond springs to life between the writer, the reader, and the characters. Writer and reader are real human beings, the characters are imaginary, but to write a believable story, the writer must convince the readers that the characters are as human as he or she and we are, and draw us into a conversation in which facts of life may be compared and foibles confessed.
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"I love your idea of reading 52 books a year," said a colleague last week. But the modifier "theoretically" hung in the air. "How do you ever manage it?" she added.
In truth, I adore reading so much I don't find it difficult. I was the kind of kid who read the backs of cereal boxes at breakfast.
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Literature is everywhere. Well, literary allusions are everywhere, that is.
Students of today live in a time where they have always known cable television, computers and cell phones. Movies come in the mail or via the Wii. Yet that doesn’t mean the classics of literature have faded away. They are around — often referenced in new forms or adapted completely.
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The modern, and somewhat cynical line on poets is that they should not quit their day jobs. Poet pay is dismal or nonexistent; the opportunities for contemporary recognition, minuscule; and the chances for posthumous celebration, hardly to be taken seriously. We’re taking a contrarian view in the Lounge this month, as we dust off the Poetry Corner and pay a visit to a poet who never really had a day job, but who left an enduring imprint on the language, echoes of which can still be heard every day throughout the wide world of English.
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