Erin Brenner of Right Touch Editing provides "bite-sized lessons to improve your writing" on her engaging blog The Writing Resource. We previously heard from Erin about the serial comma, and now she offers tips for using commas for direct address.  Continue reading...

We welcome back Stan Carey, a professional editor from Ireland who writes entertainingly about the English language on his blog Sentence First. Here Stan cuts through the red tape to take a long look at the word bureaucracy.  Continue reading...

This past weekend I was pleased to take part in the annual conference of the American Copy Editors Society, held this year in Philadelphia. I was on a lively panel entitled "Your Grammar Questions Answered," with Merrill Perlman, who managed the copy desks at The New York Times for many years, and Bill Walsh, multiplatform editor for The Washington Post. For an hour and half, the ACES crowd peppered us with all manner of grammar questions, from the well-worn to the unexpected.  Continue reading...

For this Sunday's "Health and Wellness" issue of The New York Times Magazine, I've contributed an "On Language" column looking at how we all started talking about wellness (as opposed to health) in the first place. The word has had an odd trajectory: from an occasional antonym of illness dating back to the 17th century, to an uneasy label for preventive and holistic approaches to health in the '70s and '80s, to an established element of our linguistic landscape in the '90s and beyond.  Continue reading...

As the most ravenous euphemism-hunter in North America, I sometimes have to act quickly and without mercy. Euphemisms are cunning — always hiding under rocks, burrowing themselves in dictionaries that fell into ravines, or appearing on wavelengths blocked by the tin-foil hat that nice man from Mars helped me assemble into a Helmet of Awesomeness and Security.  Continue reading...

"In difficult times fashion is always outrageous," the Italian designer Elsa Schiaparelli famously said. But come hard times or good times, you can always count on fashion writing to be an excessive, outrageous genre unto itself. Where else but in fashion copy would destructed be an acceptable — indeed, comprehensible — adjective? Who but a fashion editor would bully her readers with imperatives such as must-have? And what on earth is one supposed to make of cryptic abbreviations like cardi, bodycon, and MOTG?  Continue reading...