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Words are like chameleons. Just like a chameleon changes color to adapt to its environment, a word sometimes has to change forms to adapt to its context in a sentence. This might seem like a silly analogy, but if you have ever tried to teach students new words and how to use those words in original sentences, this silly analogy might benefit you (and your students).
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Michael Lydon, a well-known writer on popular music since the 1960s, has for many years also been writing about writing. Lydon's essays, written with a colloquial clarity, shed fresh light on familiar and not so familiar aspects of the writing art. Here Lydon explores how short words are more potent than long words.
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If you watched the Oscars on Sunday, like many other viewers you were probably left scratching your head when, after "Music by Prudence" won for Best Documentary Short, there was a struggle for the microphone between two of the film's creators. Elinor Burkett snatched the microphone from Roger Ross Williams, in what was almost immediately dubbed a "Kanye moment." Or you could say Burkett "pulled a Kanye," or that Williams simply got "Kanye'd."
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One of the frontrunners for Best Picture in Sunday's Academy Awards ceremony is Kathryn Bigelow's tense depiction of a U.S. bomb squad unit in Iraq, The Hurt Locker. The movie's official website says of the title, "In Iraq, it is soldier vernacular to speak of explosions as sending you to 'the hurt locker.'" In fact, like so much American military slang, hurt locker (along with related hurt expressions) dates back to the Vietnam War.
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When you obsess about words as much as I do, it's hard to pick a favorite. It's like Batman picking his favorite criminal lowlife. How do you choose between the Joker, Two Face, the Penguin, and the scum who killed your parents? It's just too painful.
But what the heck, here's a good candidate, and it's also exhibit Q in the case of why I love the Dictionary of American Regional English: peedoodle.
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