47 48 49 50 51 Displaying 337-343 of 477 Articles

Back when I was entertainment editor at a metropolitan daily, my phone used to ring several times an hour with calls from publicists. I anticipated these calls with about as much enthusiasm as a cat displays for a vet.  Continue reading...
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Last Sunday I wrote an On Language column for The New York Times Magazine about the editorial we, and all the sarcastic jokes that have been made about the presumptuous pronoun. "Nameless authors of editorials may find the pronoun we handy for representing the voice of collective wisdom," I wrote, "but their word choice opens them up to charges of gutlessness and self-importance." Since the column appeared, some of those voices of collective wisdom have risen to defend themselves.  Continue reading...
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Adjectives can be a writer's greatest friend, creating rich images and clear meaning. They can also be her worst enemy, convey conflicting ideas and tripping her up at every juncture. Today, we dip our toes into the pool of adjectives with a few general rules.  Continue reading...
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Blog Excerpts

Get Ready for National Punctuation Day!

Did you know that Friday, September 24th is National Punctuation Day? Get in the mood by submitting an entry to the Punctuation Haiku Contest, sponsored by the organizers of NPD. Read all about it here.
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Teachers, are you having trouble finding a way to set the proper tone for an interactive writing class? Writing teacher Margaret Hundley Parker has tips for starting things off on the right foot.  Continue reading...
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Erin Brenner of Right Touch Editing provides "bite-sized lessons to improve your writing" on her engaging blog The Writing Resource. We previously heard from Erin about basic uses of the apostrophe, and now she takes a deeper look at apostrophe usage. You, too, can become an apostrophe superhero!  Continue reading...
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We writers about writing mostly write about "good" writing; we give our readers helpful hints on how to write well and point them to masters like Homer and Dickens to show them how it's done.

Good writing, however, does not form the bulk of writing. Like islands lost in the vast Pacific, writing's great works rise as rare peaks above endless oceans of bad writing, books and journals in which the writing is so poor or feeble or dull or trivial or trite or pompous or false or malicious or stupid that it lives for a day and dies away.  Continue reading...
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