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The modern, and somewhat cynical line on poets is that they should not quit their day jobs. Poet pay is dismal or nonexistent; the opportunities for contemporary recognition, minuscule; and the chances for posthumous celebration, hardly to be taken seriously. We’re taking a contrarian view in the Lounge this month, as we dust off the Poetry Corner and pay a visit to a poet who never really had a day job, but who left an enduring imprint on the language, echoes of which can still be heard every day throughout the wide world of English.
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Writing teacher Margaret Hundley Parker has a dark secret she has to reveal.
Here's my confession: In the summer, I don't care about rules. I pen prose that would give a good copy editor a heart attack. I don't mind if someone "lays" down for a nap, I get in the line for "ten items or less" and refrain from muttering fewer under my breath. The news "impacts"people and I don't flinch. It's very liberating. The down side of all this is when friends—or worse, new acquaintances—ask me word questions and I give wrong answers. It's not that I do a brain cleanse every June, it's that I can't articulate the rules when I'm not really thinking about them.
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(Read part one of "The Nitty-Gritty Essay" here.)
I'm not sure what the deal is, but people have a fixation with five-paragraph essays. It's as if five is some magical number that a good essay must have. However, that couldn't be further from the truth. Some essays simply aren't worth five paragraphs, and can suffice with three or even four paragraphs. Some need ten or more. For those writers who struggle with composition, it's what's in the paragraphs that counts, and how long the paragraphs are.
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When people ask me the one thing they can do to improve their writing and I tell them to read more, I often receive shocked looks in return. Is it really that simple?
Well, no, of course it isn't. But reading -- and reading well -- can make a huge difference to your writing life. Here are seven tips to ensure you're doing it right.
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